Persons in the Dialogue: Socrates, Crito Socrates: 43A Why have you arrived at this hour, Crito? Isn’t it still early? Crito: It certainly is. Soc: What time is it, then? Crito: Just before dawn. Soc: I am surprised the prison guard was willing to answer the door for you. Crito: He knows me well at this stage, Socrates, because I visit the place so often and, what’s more, I have done him a Berdasarkan dialog, dapat kita simpulkan bahwa percakapan tersebut terjadi di toko bunga atau the florist's sebagaimana ditunjukan pada kalimat "Hi, Kia. Well, I am going to buy flowers for my mother's birthday gift. " yang bermakna "Hai, Kia. Again, if your characters’ goals aren’t clear, your scene will suffer for it by losing reader interest. 2. Obstacles Creating Conflict. Conflict is one of the most important parts of a story, so you want to make sure it’s doing its job of creating tension and engaging the reader. suasion dialogue has to take place. In each persuasion. there are two parties or roles; the proponent (P) and. the opponent (O). In our case the proponent could be. the initiator and the opponent The Outcome of the War. Dijkstra asks Geralt to be involved in a plot to assassinate king Radovid int the quest Reason of State. After the successful attempt, Dijkstra has decided that the Temerians will be a problem. At the end of this quest, the player can choose whether or not to help the Temerians fight Dijkstra. For example, in the Chicago Manual of Style, putting dialogue in the middle of paragraphs depends on the context. As in the above example, if the dialogue is a natural continuation of the sentences that come before, it can be included in your paragraph. The major caveat is if someone new speaks after that, you start a new paragraph and indent it. .

where does the dialogue take place